Directed by Oskar Fischinger
Inducted to the National Film Registry in 1997
I first watched it on Aug. 8th, 2020
[edits, including the removal of references to a low-quality version of the film that was uploaded to a popular video streaming site, have been made to this post at the request of the copyright holder]
What It’s About:
Motion Painting No. 1 is a short experimental film that was created by Oskar Fischinger. Created over a period of several months, Fischinger used oil paint on glass, and photographed his work after each individual brushstroke. The film is comprised of each photograph in order, creating the appearance of the painting happening before your eyes. It is accompanied by Johann Sebastian Bach’s Brandenburg Concerto no. 3, BWV 1048.
My experience with the film:
You know those times when you were bored in class, and you would start doodling random spirals, lines, and other patterns? Did you ever think to yourself, “I should make this into a movie, and throw in some classical music for good measure?” If so, you might be named Oskar Fischinger.
I am underselling his work with that facetious comment, since if you read about his creative process at the links below, you’ll know that what he did is significantly more impressive than that. I’ve got to respect his hard work and his dedication to his craft. … But, in the end, this film really does feel like: “Notebook Doodles: In Living Color.”
I first watched this back in August. Knowing that it was one of the more difficult-to-find NFR films, I was pleased to find that my university library had it on VHS … or so they thought. It turns out, they lost their copy, so I was able to put in a request for the DVD pictured above through their interlibrary loan system. I had originally hoped to obtain and watch this on my trip to campus earlier in the summer (mentioned here, here, and here), but it did not arrive in time for me to do so, requiring me to make one additional visit. (Since it was short, only 11 minutes, I watched it on campus and returned it immediately.)
I meant to write this entry shortly after watching the film, but in the early days of my enthusiasm for this new project, I watched several NFR films more quickly than I had time to write about them, so I am just now getting around to this one (along with a few other films that I watched in that time, which I intend to write about soon.)
You can buy it on DVD here: https://centerforvisualmusic.squarespace.com/cvmshop/dvd-oskar-fischinger-ten-films
Or, as I mentioned, I was able to obtain the DVD through my university library’s interlibrary loan system, so that may be an option worth trying as well. (Regular public libraries often participate in interlibrary loan also.)
To learn more about the history and significance of this film, I recommend the following resources:
- Motion Painting No. 1’s entry on “The Horse’s Head”, another blog dedicated to watching all of the NFR films: https://thehorseshead.blog/2019/10/25/384-motion-painting-no-1-1947/
- A discussion about how Motion Painting No. 1 was created: http://www.michaelbarrier.com/Capsules/Fischinger/fischinger_capsule.htm
- A compilation of some quotes from Fischinger himself about the film: http://www.bach-cantatas.com/Movie/F0116.htm
- The official website for Oskar Fischinger’s work: http://centerforvisualmusic.org/Fischinger/
For the complete list of films in the National Film Registry, including information on how you can view each film, and links to every entry that I have written, please see my NFR Directory.